Posts tagged "tmg"

Listen to TMG Radio, here!

We’ve got new music on air from some favorites:

Needtobreathe
Plumb
Remedy Drive
Rhett Walker
Sarah Macintosh
Glorious Unseen
Thousand Foot Krutch
Topher Daniels
Unspoken
Will Retherford
Anberlin
Ashes Remain
Big Daddy Weave
Brandon Bee
Capital Kings
Children 18:3
Chris August
Colton Dixon
Fireflight
Flyleaf
For King & Country
House of Heroes
Lecrae 
Lovelite
Luminate
Ben Cantelon
Beckah Shae 
Christy Nockels 
The Vespers
Samestate
The Royal Royal
Rhema Soul
Moriah Peters

And some awesome new music from Tate Music Group:
Ryan Hunt “Remember This” 
Building Nations “Send the Rain”
Curtis Michael Gray “All My Heart”
Dan Schultz “Reveal Your Glory”
David Henning “Something More”
The JH Band “Overwhelmed”
Kensley “Remembered”
Kingdom “Flood Song”
Matthew Sanders “Know You”
Mia Koehne “God Is Good”
My King’s Ransom “Draining Up The Ocean”
New Method “A Reason”
October Glory “Clear”
Rena Hayes “Awesome God”
Road 23 “In Your Hands”
Stan Alfonzo “Glory To The King”
ToryCreek “Choose to Believe”
Trevor Horton “Give In To Love”
Walls To Fall “Changing My Life”

and more! 

And pretty soon, we’ll have TMG Christmas spinning! Stay tuned…


Congratulations to The Great Grandfathers who keep finding themselves on KDHX Charts for CMJ Top 30! 

Spotify came out this week with a new feature that allows you to post music and playlists on your websites and blogs with a simple code. We have put together a few of our favorite songs, and would love for you to give it a listen. Simply scroll down in the player to browse the music.

Let us know who you like and would like to hear more of! You can tweet us at @tmgradiogirl and @tatemusicgroup

Making Your Events More Newsworthy

As you know, getting the word out about your upcoming events is critical to having successful events. There are certain things that you, as an artist, can do to help publicize your events, such as announcing them through your social media sites or organizing a street team to hand out fliers before the events. Another way to help publicize your events is through doing interviews or stories with the media, but this form of publicity can be difficult to obtain. So how can we bolster our chances of a media outlet doing an interview or full story on your event or project?

 

According to MediaCollege.com, there are five factors that help media outlets determine what is newsworthy: timing, significance, proximity, prominence, and human interest. For more information on each of these factors, please visithttp://www.mediacollege.com/journalism/news/newsworthy.html.

 

Timing and proximity are factors that are easily controllable – simply contact the local media before a given event! In fact, every time our PR department sends out a media alert about an event, we are hitting upon the timing and proximity factors for your event(s)!

 

Prominence is probably the most difficult factor to work into an event, simply because it means knowing someone famous (or already being famous yourself) and getting them (or hiring them) to be associated with the event.

 

Significance and human interest are the two factors that can really entice a media outlet to do an interview or story. One way to do this is to work with a charitable organization in your area. For instance, the American Cancer Society holds Relay for Life events in many communities around the nation. One of my artists is performing at their local Relay for Life event and is offering to donate part of the proceeds from their CD sales at the event to Relay for Life. Since ACS and Relay for Life are well known organizations and touch millions of lives nationwide, this artist’s event now hits on the significance and human interest factors in addition to proximity and timing. While this does not guarantee an interview or a story from a media outlet, it certainly increases their odds at media exposure!

TMG.On: Macy Medford Interviewed on Ruba’s World

tate music group…who is your audience?

One of the first things you need to do as an artist - perhaps even before you begin to put pen to paper and write those hit songs - is to identify who you are writing the songs for. In other words, know your audience and direct your art in that direction so as to capture their attention and their money. That shouldn’t come across as too harsh, I hope, because it is ultimately what every artist has to focus on…since every artist I talk to has it in their mind to play music for a living. Making money, then, is essential to that goal.

Knowing your audience (understanding what they are looking for in music) is one of the principle and foundational rules of marketing and branding. Very often we talk to artists who will say “my music is really for everyone.” Wrong! It isn’t…and it shouldn’t be. It should be for the specific audience that will be drawn to its style, writing, music, and cadence. Music is diverse - like fruit; you are going to like some of it…but not all of it. Stop wasting energy and resources trying to sell apples to banana people! The key is finding the people who have the same tastes as you and targeting your time, money, and effort to making sure they have many chances to hear and experience your art (and buy it!).

Once you have identified your target audience, you will be able to focus your efforts on the things that will help connect them with you and your music (Facebook, Twitter, YouTube, music downloads, events, etc.). There will always be bleed-over from those you are targeting…because good music will be shared and heard by people you never specifically focused on - which is a great thing! That just gives more opportunity for you as an artist to sell your music…and possibly branch into new targeted territory.

The Importance of Promotional Events

As we wrote in January’s marketing tip, live events are important for every artist. Performance-based live events are most important, but have you ever considered the importance of the promotional and retail events that you do?

On the surface, promotional and retail events can be a grind as they are sometimes not as fun or glamorous as performance-based live events; however, CD signings and other promotional events have a benefit that must always be at the forefront of your mind as you do them – networking.

Regardless of the size of the event, here are some best practices to maximize networking at your promotional events:

  • Confirm the Event with the Venue – When a publicist sets up promotional events for you, we ask that you contact the venue within 2-3 days to confirm the event and discuss the event details. Confirming the event is a given, but by discussing the event details with the promotional venue, it can sometimes open up the door to play a few songs or even a small set. Even if that is not the case, make sure to ask whether or not your album can play over the PA system while you are doing your event. We also recommend calling the venue a few days before the event date; this is a professional courtesy to the venue, and it ensures that if there have been any changes on the venue’s part, you are aware of them.
  • Be Prepared – Before any promotional event, you need to make sure that you are ready – you must have product on hand if you are doing a CD signing. You also need business cards should anyone inquire about scheduling you for another event. Otherwise, how are they going to contact you?
  • Promote your album, yourself, and your upcoming events – Unless you have a line of people coming up to your table at a promotional event, you need to approach the people! Discuss your project, yourself as an artist, and any upcoming events you might have. Not every person will be receptive to this, but if you do not approach people, you are leaving the decision to learn about you and your project in their hands.
  • Say Thank You – Thank everyone with whom you come into contact at the venue – people who buy your album and people who do not buy your album alike. Also, regardless of how many CDs you sell, make sure to thank the person who is in charge at the venue. It is amazing how many doors can open up by simply being polite.

Using these best practices, one TMG artist turned a CD signing into a regular café performance inNashville; another artist developed two contacts at churches in his area who inquired about scheduling him to do events. Another artist even gained a live event hosted by a radio station with a twenty-thousand person listenership in New York by doing a promotional event that he, at the time, thought was a bust – as it turned out, the person from the radio station who contacted him saw him at the “busted” promotional event!

While these best practices do not guarantee success for every promotional event, they can certainly increase your odds of success. When you are doing these promotional events, remember that you never know who is walking through the door of that promotional venue – it may be a customer who is buying your CD, or it could be the decision maker from a live event venue or radio station!

Finding New Event Opportunities at the Local Level


Almost every artist in the music business today can find some benefit from doing live events: live events allow you to connect with fans; live events allow you opportunities to minister through your music; and live events allow you to sell your CD at the best profit margin.

For most artists, events in their local area (Consider local within 50 miles of where an artist lives or goes to church) are often their bread-and-butter. Local events are great as the fan base for many artists are in their local area, and local events tend to have a better chance of getting some media coverage. Local events are also quite often more readily available, thus allowing an artist to hone their craft without the expense of hitting the road.

With all of those pro’s of playing locally, we know playing the same venue, the same church, or the same local coffee house over and over again can feel like a grind – however, there are some resources in almost every community that might provide new local gig opportunities! Some of these may be applicable to you, some of them may not – the idea is to get out there and find new ways to get your music and message out there!

  1. The Chamber of Commerce – Almost every city in theU.S. has a chamber of commerce, and more often than not, there is some type of listing for local businesses and organizations. Restaurants, clubs, churches – you name it – they are all almost certainly involved in the local chamber of commerce in some form. You may learn of some opportunities that you did not know existed, and this can give you a nice lead into networking with local businesses and organizations that may need an artist for an event!
  2. Parks and Recreation – If your area has a parks and recreations department, check for any festivals or concerts they may have during the spring and summer months. Many parks departments have summer concert series and other community wide events that are prime for musical performances! Now is the time to start checking into these sorts of opportunities for 2012.
  3. College and University Organizations – Find out what clubs and organizations are on the local college and university campuses. There is always a wide variety of student organizations (Christian student unions, clubs, student government, etc.) that plan events to keep students on campus and engaged. Reach out to them to offer your music as entertainment! 

Top 16 Things You Need to Know About Tate Music Group

  • On an “as needed” basis, our accepted artists and bands receive (at no cost) a professional studio recording, studio musicians, producers, CD production, release, nationwide distribution and promotion by our in-house staff, along with ongoing marketing and publicity. To see more on each of these aspects, check out the brief videos covering each step of the process here.
  • Both TMG and our parent company Tate Publishing have an A+ rating with the BBB. You can see those here: Tate Publishing, and here:TMG.Our chamber of commerce also loves us (feel free to call here), and as a fun aside, we were voted one of the top 2 places to work in Oklahoma 2 years in a row!
  • Our booking agents schedule about 200 events per month for our artists, and this does not include what our artists are booking for themselves, which we then publicize. You can see a calendar of events here. You can also see some of the big-name venues that some of our artists benefit from.
  • While we do require the refundable $1,990 retainer fee for non-celebrity-status artists, we have signed several high-profile artists including Neal McCoyLee Greenwood, and Roy Clark. TMG picks up the yearly tab for all non-celebrity-status bands and artists for their event coordinator, publicist, radio promoter and marketing rep.
  • Voices of Glory left the major label deal they were signed to when they took 5th place on America’s Got Talent, and opted to sign with TMG instead.
  • We have lined up numerous artists for major festivals around the nation.Here are a few recent ones.
  • We have national distribution through the largest distributor of independent music in North America, E1 Entertainment. This provides digital distribution to all major players and more, including Itunes, Amazon etc. When warranted, we have partnerships in place that allow us distribution through brick and mortar retail stores such as Hastings, Barnes and Nobel, Best Buy etc. We’ve had artists placed in Best Buy and Wal-Mart around the nation (those two retailers aren’t guaranteed for every artist because we have to show proof of sales before we get it.)
  • In 2009 and 2010 we hosted an Artist of the Year event, whereby we had all of our artists entered into a contest, narrowed down by online voting, and we flew the top 3 out to Oklahoma City for an all-expenses-paid week of rehearsals, dinners, time with the staff, and fellowship, which was capped off by a live-streaming event and judges from several different labels including Universal and Capitol, as well as the Billboard World Songwriting Contest. Here are blogs (unsolicited by us) written by winnersJeff Chandler and Chuck Tocco about their experiences with TMG. Of course you have to consider that they each won $15,000 cash and opportunities to play at major festivals like Rock the Universe and Rock the Light opening up for Newsboys, Skillet, Jars of Clay, and TobyMac!
  • A few months ago we began producing music videos for our artists. It’s not guaranteed in every contract, but an artist can choose to either do full studio production with us at TMG’s expense, or to do production on their own and we do a music video instead. Here’s a sample of a hip-hop,country, and CCM.
  • In March we took 5 of our artists to the largest independent music festival, South by Southwest. See a write-up about that showcase from the Oklahoma Gazette here.
  • We fully believe in the power of social media and encourage our artists to stay on that trend as well. With 20K followers on Twitter and 3k followers on Facebook, we understand what a powerful tool it can be.
  • We have a first-class, multi-million dollar manufacturing plant where we create all of our CDs, books, posters, tickets, t-shirt, bookmarks, etc. This means we are able to offer the lowest buy-back rates and no minimums.
  • Last July we launched Variance Magazine, a quarterly online magazine featuring music, movies, and books. We feature mainstream artists, highlight our own artists right alongside top 40 artists, and bring in user-generated content as well. Our covers have featured the Goo Goo Dolls, Yellowcard, and Kristin Chenoweth. We average more than 100,000 hits on each issue, and we are currently filming a pilot episode for Variance TV which will launch on a local cable channel first for testing before we launch nationally.
  • We run national television commercials for our artists, on the cable network of their choice. In the last 7 days we’ve had commercials on MTV, CMT, BET, VH1, MTV2, FUSE, Great American Country, Fox News Channel, E! Entertainment, Comedy Central, and others. We have different campaigns for different artists depending on whether we’re promoting their CD’s release or an event. Each commercial averages 40,000 impressions. Here are a couple of my personal favorite commercials: Fab Rudies and Tune in Tomorrow
  • We’ve created a revolutionary system of getting radio airplay for our artists, including partnering with about 400 Christian radio stations nationwide, where we program the shows and are able to play our artists right next to top-40 artists. See more about that and the other ways we promote artists for radio here. Also, through our efforts Jeff Chandler broke into the top 10 on radio.
  • Artists and entertainment attorneys, whom have reviewed other label contracts, appreciate the fact that our contracts are concise, in plain English, allows artists to keep the rights to their music, retain creative control, terminate at any time without penalty, earn royalties higher than industry standard, AND get their $1,990 setup fee refunded once 2500 CD’s are sold in distribution, or purchased by the artist for personal sale and profit. There’s not a better or fairer deal out there!

tate music group…retail and promotional events

When promoting your album…it is imperative to have live interaction events. These can be performance based events - concerts, gigs, tours, etc. Or they can be hybrid events that deal with the promotion of the album through interaction (and possibly some performance) - CD signings, retail/niche promotional opportunities, media appearances, etc. Both are important to the promotion, publicity, and overall sales of the CD!

Every artist wants to focus on the former (live performance events)…and they should be focused on that. However, the latter (retail/promotional/media events) can often be even more effective from a sales and networking standpoint because of the people you have a chance to interact with. We get notes all the time regarding great niche/promotional events that turn into major performance or media opportunities. I want to share one we received this past week from an artist in Texas:

“Here’s a story for ya: I had a CD Signing at Hastings in Victoria, TX the end of January. I sold and signed several CD’s. Met some great people and made new fans and friends. Thru this signing I picked up a radio interview from a radio station in Granbury, TX which is about 300 miles from Victoria. The program manager just happened to be there that day. We had the interview and he said check back in a month or two and let him know how it is going, and we’ll do another interview. My music is being played on his station. Also thru this signing the store manager asked me to start up an open mic night at the Hardback Coffee Cafe on Thursday nights. I’ve done this for 3 weeks and they ask me back every week. I’ve sold several CDs thru this event and I’m gaining friends and fans. Last night I was asked to perform for a Recovery group at a Large Church in Victoria. I’ve also made other contacts for future gigs. 

I want to thank You and TMG for taking an interest in me and my music. You are right, the CD signings aren’t like performing; however, we really enjoy them. We’ve made some great contacts and get to talk about our Ministry and Music. A lady professor from Baylor University asked me to perform at a Memorial Service in the future. I sing Amazing Grace in Cherokee and that’s what she wants for her Husbands Memorial… What an honor. 

We request to be set up at the entrance of the store. When customers walk in we make eye contact and smile. Our music is playing and we hold out our business card and a refrigerator magnet with Heart of Grace Ministries on it. We don’t sell a CD to everyone but we give them something of ourselves every time. Some people ignore us and refuse the grace we extend to them, but they are few.”